Gift pack (12 Films)

Color Zealous ISO 200 is a native C41 process color negative film. The film is hand-spooled with metal cartridge and packed with cardboard.

Harman Red is a medium-speed ISO 125 film that is finished in DX Coded 36-exposure cassettes and uses standard C41 processing. Designed to produce deep reds, warm oranges, and golden tones through a controlled redscale process.

Recommended development: CineStill D96 developer or Df96 Monobath, but is compatible with D-76, HC110 and all other black and white film developers. For all developing times, see the CineStill BwXX Development Times Chart. Storage and handling: Load and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place. 

Recommended acceptable exposure for push processing: No push - EI 200-1000 1 stop push - EI 800-2000 2 stop push - EI 1250-3200 3 stop push - EI 1600-3200 (added contrast) When shot in daylight, an 85 filter is recommended and/or shooting the film at 400-500 ISO. Expiration: The new boxed CineStill film has an extended shelf life with less noticeable artifacts after expiration, but should be stored in the fridge and shot within 6 months of purchase to achieve optimal results. Exposed film should be processed promptly in C-41 chemistry to preserve latent image latitude and color fidelity. All current productions of CineStill have expiration dates for two years from manufacture date on the box. If you have earlier productions of 800T (no retail box) or your film does not have an expiration date, it is likely age fogged. Note: This emulsion was designed originally requiring ECN-2 motion picture processing and may still be processed using ALL of those steps or with the CineStill Cs2 "Cine Simplified" kit, resulting in a pulled contrast negative with lower gamma not suitable for darkroom printing. Although there is no remjet adhesive layer to contaminate and exhaust the chemicals, C-41 processing produces greater density and gamma which is more favorable for still photography workflows. Tests show favorable results in standard C-41 processing compared to ECN-2 motion picture lab processing performed by professional labs. Long term archival stability has not been tested past 9 years. Expectations for archival longevity should be somewhere between Kodachrome and most C-41 films. We will replace any roll that shows defect. We do not accept any liability beyond replacement of original film purchased. Storage and handling: Load and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place. 

High-resolution documentary film ISO 800 tint-correct reproduction (orthopanchromatic)

Originally coated for aerial vegetation mapping, Washi Z is a near infrared sensitive film, offering nice contrast and green shades separation, making it perfect for landscape photography.

Ultra Slow 6 is a black&white duplicate film and sensitive with blue and purple light. It's packed with aluminium canister. development time at 20°C D76 1+1 - 9MIN D96 - 6.5MIN

Yet another mysterious emulsion from KING FILM. Perutz is a hand-spooled 400 ISO color negative, which can be processed with standard C41 chemicals.

Lower priced general purpose BW film with ISO 400/27°. Suitable for a wide range of subjects, including sport, action, street, reportage and low-light photography. Resolution and sharpness performance, fine grain and halation protection are lower than with more expensive black and white films such as Ilford Delta 400, Ilford XP2 400 Super, HP5+, Kodak T-Max 400, Kodak Tri-X. NEW APX Made after 2013. The new APX is manufactured by a known large European manufacturer of photographic materials for the AgfaPhoto brand license holder. This is fresh film and not from the leftover stock made when Agfa Leverkusen factory stopped operation.

The Fomapan 400 is a flexible, medium speed film which is relatively forgiving of errors in exposure. It tends to have a bit less negative density in the shadow areas.  This is the least expensive ISO 400/27° Film which is available in all formats from 35mm to sheet film. Resolution and sharpness performance, fine grain and halation protection are lower than with more expensive black and white films such as Ilford Delta 400, Ilford XP2 400 Super, HP5+, Kodak T-Max 400, Kodak Tri-X.

Resolution and sharpness performance, fine grain and halation protection are lower than with more expensive black and white films such as Ilford Delta 400, Ilford XP2 400 Super, HP5+, Kodak T-Max 400, Kodak Tri-X.

► 35mm black and white film ► 36 exposures ► 200 ISO (non-DX coded) GLITCH is designed to imitate the TV glitch and VHS tracking effects that were common in the era of analog television. With GLITCH, photographers can now capture the same visual distortion and static seen on old VHS tapes and television sets. The effect is a unique look that is sure to be popular with photographers and videographers who like to experiment with something different. The effect is even cooler when you animate your frames! GLITCH has a fun-to-animate character, giving shooters many creative possibilities, specially fans of 90’s lo-fi effects. GLITCH is not DX coded, so electric cameras will rate it at 100 speed. We have tested it thoroughly and results at 100 are really good.